Sunday, March 17, 2013

PARADESI


I have to give due credit to Bala for having made such a movie which, only he could

make in Tamil film industry. Focussing only on the subject without any paraphernalia

which passes out as entertainment in other movies is the USP of this movie. As usual

he draws good performances from all his actors especially the conniving and ruthless

villain who employs people in the tea estate. When film people want us to believe

that nothing new or a novel can be told anymore in a film, Bala, as always springs a

surprise and this movie is another surprise from his staple. Only God or for an

aetheist like Bala; only he knows how many surprises he has in his kitty. My personal

favourite is the tone and colour of the movie. It aptly showcases the gloom and

barren lives of the people in it. In my opinion "art" per se has no limits and has

not rules. There is no one way or limited by a group of methods through which one has

to work or even has to perceive a piece of art. Bala in my opinion qualifies as an

artist. Of course one can argue over the quality of his work but not whether he is an

artist or not.

Having given due credit to the filmmaker, when I look at the movie I must admit I am

disappointed. First his characters in this movie like all his other movies with some

exceptions look the same. Especially the heroines who either seem to have lost a few

nuts & bolts holding their heads or grumpy and angry over something. Bala may claim

that's the requirement of the character for the movie. I won't deny the existence of

such characters but when you treat them the same way again and again I am afraid to

say that it speaks of his personal opinion about women. In addition to this his

contempt for religion and belief is well known and is again showcased in this movie.

Once again I do not disagree with what had been shown. In fact I also acknowledge the

facts stated in it. But my only concern is that here more than the facts or the

truth, his anger and loathing has come to the fore.

I agree that a film is a director's medium and he can choose to protray as per his

liking.But again, in my opinion the medium of expression, in this case the movie;

should have occupied the front stage instead of his personal choices. Some of the

scenes like the doctor and the english lady doing a song and dance number to convert

the hapless people into christianity is a result of that. Though it is a fact the

scene starts very very casually and ends as abrupty as it had begun. In order to

emphasise his personal beliefs, he made the movie a two dimensional entity without

any depth. All characters suffer and cry in the beginning of the movie, suffer and

cry a bit more during the middle and suffer and cry a lot in the end.

I have no complaints about crying while watching a movie, as I had wept a lot while

watching movies like "Schindler's list", "Tare zameen par", "Pithamagan" and recently

"Haridas". But where Paradesi fails is that, it has cried even on your behalf leaving

nothing to you. Technically speaking as far as my understanding goes, his wide angle

shots are great but unfrotunately the AGS theatre where I saw the movie was pathetic

as everything appeared out of focus. I guess that could have been a major contributor

to my disappointment. Anyway "Gatham gathaha".

VERDICT: A good and daring attempt worthy to be just grim and gloomy.